The first film, The Final Quarter, just launched at the Sydney Film Festival, premiering to a packed house on Friday, June 7 and receiving a standing ovation from the lively audience afterwards. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period, and places it in a wider historical context. [8][9][10], During a match against Carlton in May 2015, again during the Indigenous Round, Goodes celebrated a goal by performing an Aboriginal war dance, in which he mimed throwing a spear in the direction of the Carlton cheer squad. Students will explore how the editor and director created mood and message for the audience, and appreciate how archival documentary can powerfully communicate public messages of importance. Topic: Learning Through Film, Social Issues, Indigenous Education, This lesson is part of the wider unit of work: The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10. Why might companies like Shark Island Productions be beneficial for the Australian media industry and Australian audiences in general? The president of the opposing team, Eddie McGuire a former host of the local version ofWho Wants to Be a Millionaire? They evaluate how genre and media conventions and technical and symbolic elements are manipulated to make representations and meaning. Cool Australia acknowledges the traditional custodians of the land on which we live, learn and work, and pays respect to their Elders past and present, and to all Aboriginal and Torres Strait Islander peoples. Third party web links are provided for your convenience only. Background [ edit] H\]0+r9s1Mr`na>aVPxH9y^vFujf}:seVM[RY.tqxUs=,14ahz9pQjTM8F{u *M\o[6WuE?K2]Oj(tAIz"]3Cshm[SvYam bgYBv4P !f@sA[h5iiW 4$,I$apw9e:N\Y4||fEp1.3 gi.i4,,,9t:y.#;Gv(9Zt$i5DV90a$IY ~?'y?{}RG}xqLtcYUz~ 3l%
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I see a man down: booing and being Adam Goodes", "Proud Goodes stands by war cry celebration", "Adam Goodes booing: Gillon McLachlan calls for footy to get its respect back as captains of all 18 AFL clubs make plea to fans", "#istandwithadam: Social media campaign rallies for Sydney Swans star Adam Goodes", "Swell of support for Adam Goodes as Sydney Swans play Adelaide Crows at SCG", "Goodes reveals he almost retired after booing controversy", "Swans champion Adam Goodes calls it a day", "AFL says 'sorry' for not protecting Adam Goodes sooner from racist booing", "Retired Sydney Swans legend Adam Goodes would have been booed on grand final day, says Tim Watson", "Adam Goodes documentary sparks outpouring of remorse from AFL fans", "Ten to air Adam Goodes documentary, The Final Quarter", "AFL great Adam Goodes is being booed across Australia. The Final Quarter - Listening To Community - Years 7-9 0000004654 00000 n
Uncomfortable, too, in the middle of a media storm he never saw coming, and which seems never to abate. It begins in 2013 when Goodes, at that point a veteran of the game, singled out an opposing teams supporter for calling him an ape during a match. Unsurprisingly, it's also both moving in displaying the AFL champ's dignified response to such horrors, and infuriating in its thorough examination of his ordeal. https://www.theguardian.com/film/2019/may/30/the-final-quarter-review-exhilarating-adam-goodes-documentary-pulses-with-urgency. THE FINAL QUARTER | Film - Official website TRAILER PAUL KELLY MUSIC VIDEO Education Resources FOR SCHOOLS AND SPORTING CLUBS All Resources Watch now Request Free DVD Screening Guide Adam Goodes was a champion AFL footballer and Indigenous leader. Tracy works closely with parents and teachers to support young people with issues such as anxiety, learning needs, depression, confidence, and behavioural challenges. If teaching in a context with a high proportion of Aboriginal and Torres Strait Islander children, it is imperative that guidance is sought from the Principal and Aboriginal Education Officer (or equivalent) prior to screening the film. They said: Adam, who represents so much that is good and unique about our game, was subject to treatment that drove him from football. Andrew Bolt, Alan Jones and Sam Newman haunt Ian Darlings film like ranting apparitions. Cool celebrates the world's oldest living culture and acknowledges that sovereignty was never ceded. Please update your location and try again, On the Way: Upcoming Brisbane Openings to Put in Your Diary for 2023 and Beyond, Oktoberfest Brisbane Is Saying Auf Wiedersehen After 15 Years of Steins, Schnitties and German Celebrations, Sydney's YCK Precinct Has Been Named Australia's First Purple Flag District for Its Vibrant and Safe Nightlife, Disney's 'Peter Pan & Wendy' Trailer Is Here with Your First Look at Jude Law as Captain Hook, The NGV Is Getting a World-Premiere Pierre Bonnard Exhibition with Scenography by Architect India Mahdavi, Parrtjima A Festival in Light Has Revealed the Full Lineup That'll Dazzle Alice Springs This Autumn, Splendour in the Grass Has Locked in the July 2023 Dates for Its Huge 21st-Birthday Festival, 'MAMMA MIA! Project-specific support provided by Screen Australia's development programs since the agency's inception in July 2008. Level of teacher scaffolding: Medium introduce new concepts and facilitate discussions and activities. We are unified on this, and never want to see the mistakes of the past repeated. Goodes took indefinite leave from the game in August of the 2015 season. Director Ian Darling joins us to discuss, ://fbiradio.com/ian-darling-yvonne-sampson-last-days-adam-goodes-career/, https://thefinalquarterfilm.com.au/about/. Mise en Scene is an integrated design concept which refers to what we see on screen in a film. [20], Many commentators and Goodes himself believed that the booing was racially motivated, while others believed that it was motivated by dislike of his playing style or of his response to a 13 year old girl who shouted a racially-charged insult at him. Explores how to respectfully listen to and engage with Aboriginal and Torres Strait Islander peoples, histories and cultures. The impact and outreach campaign is expected to significantly expand in 2020, with a DVD to be given to the principal of every high-school in Australia. Below are some of the must-know techniques that are included in the glossaries of Matrix English Theory Books. The filmmaker's sympathies are not in doubt, though his decision to avoid talking heads - relying instead on contemporaneous television coverage - makes his . Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect - many of the traditional powers of the motion picture medium (cinematography, for. How did it come to this? Adam Goodes, captain of the Sydney Swans, at the end of the 2012 AFL grand final at the MCG. It was produced by Shark Island We have consulted with experts in human rights, reconciliation and psychology to ensure these lessons promote emotional safety and cultural awareness. It includes footage of the incidents, as well as interviews and comments from media personalities, politicians, players, officials, and members of the public. Our Watching the Film lessons are designed to support you in facilitating this process. Paul Kelly wrote the end credit song "Every Day My Mother's Voice" for the film, and won Best Original Song Composed for the Screen, 2019 Screen Music Awards. Director Ian Darling wanted to explore what happened and why, and start the conversation about racism in Australia that Adam Goodes asked us to have. You must be logged in to view this form. He publicly called out racism, was named Australian of the Year, was accused of staging for free kicks, and performed an on-field war dance celebration. THE FINAL QUARTER April 2019 PRODUCTION CREDITS Director Ian Darling Producers Mary Macrae & Ian Darling Editor Sally Fryer Executive Producer Malinda Wink Executive Producer Mark Monroe Executive Producers Mark Nelson & Will Vicars Archive Researcher Lindy Boylan Composer Paul Charlier Sound Designer Wes Chew Graphics Paul Ducco Edit Assistant offsider Kris Gale chat with Ian and Yvonne about the film which premiered at the Sydney Film Festival, and which uses . 0000003225 00000 n
The Final Quarter Film Timings and Questions 01:00:00 - Warning and intro 01:01:14 - Sam Newman speaks to Adam via camera 01:01:57 - 'racist' definition 01:02:00 - Nathan Buckley and AFL 360 01:02:31 - Sam Newman on gay pride game Opportunity to pause and discuss important ideas and themes. Camera angles refer to the tilt of the camera in relation to the scene and the characters. This powerful film captures a period from 2013-2015 focusing on leading Sydney Swans AFL player Adam Goodes in the final years of his football career. The Final Quarter opens with a clip of Sam Newman frothing from the mouth and berating Goodes on The Footy Show. I am referring of course to the final quarter, as it were, in the career of Sydney Swans star Adam Goodes, who chalked up a whopping 372 games in total the most of any Indigenous player in history. 299 0 obj
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Excludes Producer Offset and Producer Equity Program. Keywords: film, documentary, analysis, analyse, media, The Final Quarter, archival, footage, conventions, Aboriginal and Torres Strait Islander, AFL, footy, football, perspective, point of view, techniques, editing. Being independent means they are not owned by a major media company. 0000006599 00000 n
Director: Ian Darling Shortly this will also incorporate project-specific market and festival support provided by Screen Australia since its inception in July 2008. But there is one key figure who is conspicuous by his complete absence. The Final Quarter is a post-mortem of this dark period in Australian sporting and cultural history, comprised entirely of archival footage aired at the time. Provide every junior and senior sporting club with access to the film and screening guides and supporting materials via the AFL and Australian sporting clubs, Work with sporting bodies to encourage clubs to screen the film as an ongoing part of Indigenous Round activities. In the final three years of his playing career he became a lightning rod for a heated public debate and widespread media commentary that divided the nation. 52 Victoria StreetPaddington, Sydney NSW 2021, Allens Linklaters and their invaluable pro bono legal support, This website was created with the support of. Through the Narragunnawali platform, schools and early learning services can develop a Reconciliation Action Plan (RAP), and teachers and educators can access professional learning and curriculum resources to support the implementation of reconciliation initiatives. Goodes said after the incident that the dance was based on one he learned from under-16s Indigenous team the Flying Boomerangs, and that it was intended as an expression of Indigenous pride during Indigenous Round, not as a means of offending or intimidating the crowd. The film 'The Final Quarter' looks at the final years of Adam Goodes' AFL career and the storm that followed. They evaluate how social, institutional and ethical issues influence the making and use of media artworks. His response strives to acknowledge the hurt inflicted on Aboriginal peoples without sounding ungrateful for the honor just bestowed upon him, and its the futility of his efforts to tread this line between calling a spade a spade and conciliation that gives his media encounters their sense of discomfort, and of poignancy. Screen Australia is not responsible for and does not endorse any Third Party Sites' use, effect or content or any associated organisation, product or service on the third party site. [23], The Final Quarter was shown to the 2019 playing group of Indigenous players in a preview screening in February 2019. [33][34], The Western Bulldogs released their own statement about the documentary. Explores Australias sporting culture with a focus on race relations and cultural expression. 0000007932 00000 n
We'll update you with a release date when one is announced. Goodess role in attempting to make Australia a more educated and tolerant country will be remembered long after all the marks, kicks, and tackles have been forgotten. 0000011178 00000 n
Tracy Bentin is a Child and Adolescent Psychologist who has worked in the education sector since 1997. Further, the film has already achieved positive educational outcomes. 0000008940 00000 n
Adam Goodes was a champion AFL footballer and Indigenous leader. Director's Statement. It received extensive media coverage, with over 200 articles and 330 pages of media appearing in all media outlets including The Age, SMH, Herald Sun, The Australian, The Guardian, The Daily Telegraph, ABC Insiders, etc. [5], On 24 May 2013, during the AFL's annual Indigenous Round (the Sir Doug Nicholls Round), a 13-year-old Collingwood supporter called Goodes an "ape". 0000042939 00000 n
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Teachers are advised to use their discretion when deciding whether to show this film. Investigates the archival documentary technique used in. Explores injustices faced by Aboriginal and Torres Strait Islander peoples, their rights and the continuing journey towards reconciliation. Tracy has a particular interest in emotional intelligence and supporting young people to develop skills and strategies that can assist them in being their best selves. The Final Quarter takes a confronting look at the controversies that marred the Sydney star's exit from the game and is an opportunity to reconsider what happened on and off the football field. The Australian Human Rights Commission is an independent statutory organisation, established by an act of Federal Parliament. With Adam Goodes. 0000062218 00000 n
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Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of Indigenous footballer Adam Goodes' playing career. The girl phoned to apologise, saying that she hadn't realised the impact of her words. Unit: The Final Quarter - Watching The Film - Years 5-12 Activities for this Unit Tuning in About the Film Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. Adam Goodes during the 2015 semi-final between the Sydney Swans and the North Melbourne Kangaroos. We strongly recommend each unit is delivered in the recommended sequence to achieve maximum impact and understanding of the concepts. Within the first three months of the educational release, the film: had been seen within ~25% of secondary schools in Australia and became the third-most watched content on ClickView in 2019, including 1,073 institutions streaming the film and a total 22,294 views. (2019). Honing in on Goodes' last three seasons as an AFL player up until his . "Callum Mills wins 2016 AFL Rising Star award", "Ejected teenage fan didn't know 'ape' was racist", "Adam Goodes' leave from AFL this weekend should fuel shame: Bartlett", "Man up? on Mornings with Stephen Ferris was honoured to host Yvonne Sampson of Fox Sports League, and Ian Darling the director of The Final Quarter, a documentary chronicling of the last years of AFL star Adam Goodes' career.. Documentarian Ian Darling, director of The Final Quarter. 0000001256 00000 n
Below we've listed down some of the most widely-used cinematography techniques that can help dictate how your audience should feel about your scene, as well as how they will interpret it. +: 410@ v[[J2s1nY(x1F?F^V,pnhpi|&N.]L*^{F\`\00-KPaoPJ00 @
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'The Final Quarter': Film Review. understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. 2022 Shark Island Institute | PrivacyPolicy. Many Year 10-11 students openly admitted that it had changed their attitudes, and students have said the film empowered them to stand up to racism and helped them acknowledge it was damaging. 0000103450 00000 n
Every film uses different techniques to create meaning throughout the film. In this open discussion, Stephen and Fire Up! Revelation Perth International Film Festival Inc, Distinctive storytelling for the big screen, Ambition, creativity, audience engagement, Quality, cultural value, innovation, diversity, Opportunities for First Nations storytellers, Insights into challenges facing the industry, International awards for Australian projects and people, Australian screenings at international festivals, International Pitching Events and Talent Labs, International Marketing Support: Festivals and awards, All Screen Australia production applications. The result is a powerful film that holds a mirror to Australia and suggests we reconsider what happened on and off the football field. "When you see the three years unfolding, we can now see this is what racism looks like and what it sounds like," says director Ian Darling. The Final Quarter was made by Shark Island Productions, an independent film production company. Documentary Australia at Sydney Film Festival, https://thefinalquarterfilm.com.au/media-articles/, Early-Mid 2019: Screenings with dozens of influential organisations and individuals including peak Indigenous bodies, the Australian Human Rights Commission, the AFL including the Indigenous Players Group and all 18 AFL Clubs, May 2019: Media screenings for more than 100 journalists as a part of a proactive media strategy to reach a mass audience, 7 June 2019: Premiere screenings at the Sydney Film Festival to sold out audiences, receiving unprecedented demand and extensive media coverage, followed by a number of other film festivals, 19 July 2019: Broadcast nationally on Channel 10 (July 18) and WIN- accompanied by a special on, 20 September 2019: the film became freely available to schools, sporting clubs and community organisations and anyone could access the resources, stream the film, or request a copy of the DVD, Community, corporate, school and sporting club screenings were facilitated, with Shark Island staff attending over 95% of the screenings to participate in panels and Q&As, 27 September 2019: the Home Entertainment (digital) release began. The Final Quarter: Directed by Ian Darling. And by dark ages I mean the last three years in Goodess decorated career, until his retirement in 2015. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. There are a huge number of techniques that are used in films to convey meaning. Documentary Australia acknowledges the Australian Aboriginal and Torres Strait Islander peoples of this nation. how technical and symbolic codes are used by the director of. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. 0000003655 00000 n
write an analysis based on the conventions of archival documentaries. Student Worksheets one copy per student. 0000062114 00000 n
The first film, The Final Quarter, just launched at the Sydney Film Festival, premiering to a packed house on Friday, June 7 and receiving a standing ovation from the lively audience afterwards. These Primary and Secondary resources are designed to support teachers and students in exploring the key themes of Australian documentary, THE FINAL QUARTER. This is what was heard. Use these age-appropriate lessons to guide your students through the process of viewing the filmin its entirety. All Rights Reserved. Given that Adam Goodes retired in 2015, why do you think Shark Island Productions thought it important to share the Adam Goodes story with audiences four years later? But this is not some dry academic exercise. [4] In 2014 he was named Australian of the Year in recognition of his community work supporting Indigenous Australian youth, the efforts of the Go Foundation (co-founded with his Sydney Swans teammate Michael O'Loughlin), and his efforts to combat racism. From 2013, Sydney Swans footballer Adam Goodes went from being a champion footballer, an outstanding Indigenous leader and the 2014 Australian of the Year, to being booed and taunted by fans at stadiums across the nation. [27], Darling also announced that the film will be made freely available to schools and clubs across Australia. They will develop skills in active, conscious and reflective listening and communication, along with gaining an understanding of the Five Dimensions of Reconciliation. Students will learn what an archival documentary is and examine archival documentary filmmaking conventions, particularly in relation to the film 'The Final Quarter'. Includes investments, loans and grants. They protect and promote human rights in Australia and internationally. Where to start: Watching the Film Years 5 to 12, Exposing Truth. So, too, do the boos every time the player steps foot on the paddock, for more than sixteen weeks. We acknowledge and pay our respects to their cultures and traditions, and to Elders past, present and emerging. That's not going to change in 2019, but for a different reason the dual Brownlow medallist and 2014 Australian of the Year is the subject of two documentaries, with each exploring his story on and off the field, including the racism he endured over his 17-season playing career. A tale of two Adam Goodes films: docos on AFL legend put racism in big picture, AFL club bosses to watch Adam Goodes documentary, Original reporting and incisive analysis, direct from the Guardian every morning. Explores what it means to be Australian, and how we express our individual and collective identities. Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of Indigenous footballer Adam Goodes playing career. We acknowledge the Gadigal people of the Eora Nation as the traditional custodians of the land on which we work and we pay our respects to ancestors and Elders, past and present. In the final three years of his playing career he became a lightning rod for a heated public debate and widespread media commentary that divided the nation. This requires planning among multiple teachers and across specialist streams. 0000009450 00000 n
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When the football crowds turned on him, the Brownlow medallist left his beloved game. 0000069818 00000 n
H\Mj0>3ML(d F68*-g[v2wc S uUlqh\2opzqoMpgH*h8^vC.)>PzqC42DYQH_>atwmU#y{m}|,6L |,,BG Documentary-maker Ian Darling relies chiefly on broadcast footage, as well as upon newspaper headlines splashed across the screen, in retracing his tale. If it was hard to mount that fingers-in-the-ears argument back then, it seems almost impossible now though the peanut gallery of outspoken conservative commentators, who haunt this film like ranting apparitions (among them Andrew Bolt and Alan Jones), are hardly likely to show contrition any time soon. The racially motivated vilification and unsympathetic voices from audience members and commentators increased to the point where he left the game on which he had built his career. 0000010667 00000 n
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'The Final Quarter' compiles a selection of opinions from cultural commentators at the time (like Andrew Bolt, Miranda Devine, and Rita Panahi), who present the most common arguments for why people were booing Goodes. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period. hb```f``a`c`gd@ A2
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Way back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. Retrieved fromhttps://fbiradio.com/ian-darling-yvonne-sampson-last-days-adam-goodes-career/, Shark Island Production. The cheers became boos as football crowds turned on him. Cool Australia acknowledges the traditional custodians of the land on which we live, learn and work, and pays respect to their Elders past and present, and to all Aboriginal and Torres Strait Islander peoples. "The Final Quarter" is a 75 minute documentary of archival media footage related to Australian indigenous AFL (Australian Football League) player, Adam Goodes. The Final Quarter - Making An Archival Documentary - Media Arts - Years 9 & 10 Considering Social Action Students are given opportunities to apply their learning in real world situations, in the classroom, school, home or the local community. 0000091357 00000 n
[24] It had its World Premiere at the 2019 Sydney Film Festival. Tracy is passionate about the mental health and wellbeing of young people and her training and approach incorporates cognitive behaviour therapy (CBT), mindfulness skills, and interventions drawn from positive psychology research. [32], The Go Foundation reported that it had received several messages from members of the public who had seen the documentary and wanted to express their remorse for having booed Goodes.[20]. Music, still images and diction-ary definitions have been added to heighten the message of The Final Quarter. Editor: Sally Fryer Project-specific support provided by Screen Australia's production investment programs since the agency's inception in July 2008. 0000003986 00000 n
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[11] The booing of Goodes intensified in the months after the war dance. Specialist lessons will achieve the best results when THE FINAL QUARTER documentary is introduced as atopic across the curriculum. The motivation for, and acceptability of, the booing generated wide public debate, which dominated media coverage from both sports and political commentators for weeks at a time. 0000071725 00000 n
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